Casio XW-G1 User's Guide Page 68
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- Table of contents
- TROUBLESHOOTING
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Recording and Playing Back with the Sample Looper
E-66
(1) NORM-AT:
Records a new sample with auto start.
• Length (recording time) setting
(2) NORM-ML:
Records a new sample with manual start.
• The settings for this mode are the same as those for
NORM-AT.
(3) BEAT-AT:
Creates a sample by recording one beat and repeating it a
specified number of times. Only auto recording is
available for this mode.
• Beats (number of beats) setting
(4) SPLT-AT:
Creates a sample by linking together recordings of a
specified number of samples, each of which is a specified
length. Only auto recording is available for this mode.
• Length (split length) setting
• Number of splits (divisions) setting
2, 3, 4, 5: Specifies the number of splits.
■ Selecting a Split Recorded with SPLT-AT as a
User Wave Tone
• To select the split as a Solo Synthesizer tone:
See “PCM Wave” (page E-23).
• To select the split as a PCM drum tone:
See “Inst Number” (page E-31).
Free : End of the sample is the point where
bm
REC or
bm
PLAY/STOP is pressed to stop
recording. If the recording reaches the
maximum allowable recording time before a
button is pressed to stop it, that point
becomes the end of the sample.
01 - 32bt : Specifies recording time as a number of
beats.
02 - 32 : Specifies the number of times a one-beat
recording is repeated.
Free : The end of the sample is when there is silence.
1 - 6bt : Specifies the number of beats to elapse before
silence, at which time recording of the next
split starts. If there is silence before the
specified number of beats is reached,
recording continues until the specified number
of beats is complete.
- USER’S GUIDE 1
- FCC WARNING 2
- Declaration of Conformity 2
- Important! 3
- Contents 4
- General Guide 7
- Lower left 9
- Getting Ready to Play 10
- Power Supply 11
- Bundled and Optional 12
- Accessories 12
- Playing with Built-in Tones 13
- Creating Tones 14
- Using the Step Sequencer and 15
- Phrase Sequencer 16
- Step Sequencer 16
- Playing a Built-in Demo Song 19
- Conclusion 19
- Selecting and Creating Tones 20
- To select a tone 21
- Key Follow 25
- Key Follow Base 25
- Preparation 30
- Editable Parameter List 30
- Controlling Sounds 36
- Move the sliders ( 37
- Applying Effects to Notes 38
- To configure effect settings 39
- ■ Effect Settings 40
- Saving an Edited DSP 41
- To use the Arpeggio Function 42
- Editing an Arpeggio 43
- Clearing Arpeggio Data 46
- To play back a preset 47
- To start phrase playback by 48
- Recording a New Phrase 49
- (Overdubbing) 50
- Indicators Next to Phrase 51
- To save a phrase 51
- Using the Step Sequencer 52
- 10 11 12 13 14 15 16 53
- Playing Back a Step Sequence 54
- Editing a Sequence -Simple 54
- To turn a step on or off 55
- Velocity Settings 55
- Keyboard, etc 57
- Changing the Solo1 Channel 57
- Changing the Step Sequencer 58
- To sound a single part 58
- (solo mode) 58
- Editing a Sequence - Advanced 58
- ■ Step Sequencer Parameters 59
- Changing Slider Settings 62
- To save an edited sequence 63
- Chaining 63
- To play back a chain 64
- To initialize chain settings 64
- Sample Recording 66
- User Wave Tone 68
- Sampling channel and rate 69
- Memory usage indicator 69
- Current overdubbing location 70
- To use the Step Sequencer to 71
- To play back a sample 71
- Indicators Next to Sample 72
- To save a sample 72
- Using the Performance Mode 73
- To recall a performance 74
- C2 F3E3 C7 75
- Other Useful Functions 80
- Sliders and Step Buttons 81
- Mixer Settings 82
- Global Synthesizer Settings 83
- Using MIDI 84
- Arp NRPN 85
- Display Description Settings 85
- Settings and Data 86
- START/STOP 87
- Using a Memory Card 88
- Memory Card 90
- Loading Data from a Memory 92
- To rename a file on a memory 93
- Playing a Music File from a 93
- Connecting to a Computer 94
- Troubleshooting 97
- Specifications 99
- Operating Precautions 100
- DSP Effect List 101
- Reference 102
- Supported Input Characters 105
- MIDI Implementation Chart 106
- *1: Depends on tone 107
- XWG1-E-1B 108
- MA1204-B Printed in China 108
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